Following the destruction and subsequent rebuilding of this iconic jetty at Sullivan Bay, it took a few visits here for me to catch it in favourable light.
This is a long exposure of 204 seconds on a cloudy day giving nice diffused light.
The image above is available to purchase as a print here.
Grantville is a small coastal town on the east coast of Western Port bay in Victoria, Australia. The jetty at Grantville usually stands in relatively shallow water at high tide, and at low tide it stands proud on a bed of mud. During a “king tide” the water can sometimes cover the walking platform at the end of the jetty as seen here.
Following are a couple of long exposure images taken at sunset during high tide.
Tech stuff for the image below – 157 sec f/18 ISO100 using an ND400 + ND8 filter. This image is available to purchase as a print here.
Pictured below – Grantville jetty as the sunset fizzled out.
Tech stuff – 152 secs f/18 using an ND400+ND8 filter. This image is available to purchase as a print here.
If you’re hungry during your visit to Grantville then I highly recommend trying the homemade chunky beef pies at the Grantville Pantry. It’s located directly across the highway from the jetty. Real chunks of steak in a delicious gravy and housed in a beaut puff pastry casing. Great stuff!! 🙂 (…..and NO, I’m not sponsored by them!) 🙂
Pictured below – A selfie from the end of the Grantville jetty at low tide. Mud as far as the eye can see. 🙂 This is a short exposure HDR image.
It’s available to purchase as a print here.
An early morning long exposure from Point King, Portsea, on the Mornington Peninsula.
Tech stuff – 30 seconds at f/8 using an ND400 filter.
This photo is available to purchase as a print here.
A long exposure sunrise image from Sullivan Bay, Sorrento, on the Mornington Peninsula. The iconic jetty has recently started to fall to bits. I suspect she wont be around much longer.
Tech stuff – 25 seconds f/18 ND400 filter.
This photo is available to purchase as a print in various forms and sizes here.
A daytime long exposure photo from Sullivan Bay, Sorrento, on the Mornington Peninsula.
Tech stuff – 66 secs f/13 using ND400 + ND8 filters.
This image is available to purchase as a print at my Redbubble site here.
13 seconds f/8
This image is available to buy as a print in various forms at RedBubble.
Sunset at Grantville jetty on Western Port Bay.
Images from a pre-dawn trip to Seaford pier with friends from the ND400 Long Exposure group on Facebook. We arrived in the pitch black of early morning, ….a VERY unusual time for me, ….and waited for the sun to rise.
A long exposure image at high tide from the picturesque shores of Tenby Point on Western Port Bay, Australia.
Jetty remnants at The Dell at Clifton Springs in Victoria, Australia.
It was a fine day with fluffy white clouds scooting along on the breeze. It didn’t take long for me to convince myself to go down along the coast and play with some dark ND filters.
We had arrived just in time. The high tide was starting to recede giving us easy access to the beach yet there was still enough water covering the base of the jetty posts.
If you arrive at this destination at the wrong time you’ll find sticks in mud.
Pictured below – On the way back to the car park the water had receded enough to reveal the tangled root system on this Tenby Point icon.
A couple of images taken as the sun disappears below the horizon at Tooradin foreshore, Western Port Bay.
The photography community seems to be polarized over the use of phone cameras and associated filter programs such as Instagram.
I must admit to being slow to travel down the “phone and filter” path and have only recently decided to give it a go to see what all the noise is about.
Since giving it a trial run I must admit that the use of Instagram and other similar programs has reintroduced a fresh and fun aspect to my photography.
I find it refreshingly simple to just pull out my phone, click, process and even publish the image so quickly.
I also enjoy being forced to rethink my compositions into a square format after being conditioned by years of using a 3×2 SLR format.
Admittedly I’ve had to resist the urge to “pixel peep” at the noise and visual anomalies created by some of the clunky filters.
This will never replace my SLR photography but I reckon it will complement it nicely. Phone photography has definitely introduced a fresh fun aspect to my photo life.
The beach at west Cape Conran offers an almost alien landscape populated with a huge array of highly eroded rocks. The jetty and boat ramp look out of place in this environment and so they tend to become the feature subjects of photographers who visit the site.
If you cant visit this site at sunset I’d recommend visiting during a day of high surf activity. The large waves crashing into these rocks create a really impressive scene.
I’m definitely going to revisit this location when I get the chance. There’s a lot to explore here.
I’d been to this part of Phillip Island on previous occasions but I loved it so much I thought I’d revisit.
That’s one of the joys of photography, you can visit the same location on several occasions and come away with completely different images each time.
Pictured below – Old wooden remnants at Cat Bay, Phillip Island.
Pictured below – The beach at Right Point, Phillip Island, located between Cat Bay and the Nobbies. The violence of the ocean waves smoothed by the use of long exposure.
The day started out well with brunch in Sorrento at the Buckley’s Chance restaurant with friends Christine and Caroline.
After being suitably fueled by brunch we strolled to the other end of town and boarded the Sorrento-Queenscliff Ferry for the short trip across the mouth of Port Phillip Bay to Queenscliff.
On arrival we departed the ferry to see what photographic treasures we could find along the beach.
Pictured below – Queenscliff Pier, shot in the early afternoon using an ND400 filter to extend the exposure time and soften the waves.
Pictured below – Evidence of Dredge, a pipeline from the offshore dredger snakes it way past heavy posts buried in the sand at the shoreline. The waves softened to a mist by the use of long exposure time.
18 months after releasing my first book I’m pleased to announce that I’ve finally finished my second book and published it through Blurb.
The 40 page collection explores Australian land and seascapes using long exposure photographic techniques to capture textures and patterns hidden in fluid motion.
The book is printed on Blurb’s premium lustre finish paper.
If you’d like to thumb through the book with a virtual preview of all it’s pages go here.
Tooradin is right at the top of my list when it comes to escaping for a little bit of quiet time. Located just a few minutes down the road from my home, Tooradin’s features include a serene creek that runs through the town and winds it’s way down to a great foreshore area where it joins with Westernport Bay.
The foreshore area usually has lots of parking spaces available and serves as a fine place to devour whatever delicacy you’ve chosen from the local bakery, fish and chip, or pizza shop.
Alternatively you can bring along your own boring food and make use of the BBQs.
During low tide, large expanses of mud are exposed along both sides of the channel.
You can stroll along the elevated edge of the channel and watch as thousands of tiny crabs, disturbed by your presence, dive for cover into their tiny holes in the mud.
Back to the serious topic of food for a moment, I highly recommend the Tooradin bakery with it’s fine selection of meat pies. They also have more sweet cake/bun/doughnut thingies than you could poke a stick at, …..and the coffee isn’t too bad there either.
The bakery is also conveniently located next to the fine Ice Cream shop, offering heaps of different flavours for those craving even more sugar. 😉
Fish n’chips must be big business in Tooradin because this tiny town has no less than two fish n chip shops.
On one side of the main road is the Tooradin Original Fish & Chip Shop and across the road is the Boardwalk Chippery. The Boardwalk shop boasts the use of “healthy rice bran oil”. The rice bran oil must be an acquired taste, …I’ve tried it but I haven’t yet acquired that particular taste,….but each to their own.
For the curious photographers who might be reading this post, the camera I used was a Panasonic Lumix LX3 in “dynamic B&W” mode with some minor corrections later in Photoshop.
If you’re interested in using any of these images or would like to purchase a high quality print then please contact me at – email@example.com
A couple of images from the Flinders foreshore showing what a huge difference the tide can make.
Both images feature the same structure albeit from slightly different angles.
Below – Flinders Hombres – high tide at the jetty remnants.
Below – liN – the same jetty remnants at low tide.
Following on from previous posts I thought I’d share with you just a few more images from the Phillip Island coastline. I feel like I’ve just scratched the surface down there, …….there’s just so much beauty to explore and discover.
Pictured below – The Roost – old jetty remnants that serve as a safe roost for the local birds at Cat Bay.
Pictured below – Evidence of Life – a soft misty view of some wonderful wave action off Cowrie beach.
Pictured below – The Long Swim Home – another view from Cowrie beach looking towards the Nobbies in the background.
I’m dedicating this image to the recent passing of Rapture Day, May 2011.
Never has such a silly idea generated so much noise in the media and on social networks.
Pictured below – In Lieu of Rapture.
The image was captured at Cat Bay on Phillip Island.
Saturday’s excursion was down towards the pointy end of the Mornington Peninsula.
After a hearty lunch of fish ‘n chips on Dromana beach, it was off to Sorrento for a cappuccino and also check out the surf conditions on the ocean side.
On arrival at the back-beach the surf was violent and unruly, fueled by a ferocious onshore wind.
I’ve tried to capture long exposure images under these conditions a couple of times before and come away from the experience with disappointing results. A howling wind always manages to soften my long exposure images regardless of tripod technique.
With this in mind I resigned myself to exploring the calmer more docile side of Sorrento, the bay side. The view from the beach here was quite nice with small boats bobbing and wobbling around in the water. I took a few shots of the little boats but couldn’t find anything particularly satisfying so I moved my attention to the huge bollards near the pier.
Pictured below – Bollard.
Above – In this image the huge concrete bollard remains motionless whilst surrounded by the blurred movement of waves on the water. It’s nearby neighbors, the boat and the buoy wobble and rock in compliance with the waves. I used a high key effect to eliminate some distracting elements from the background. Both ND400 and ND8 neutral density filters were attached to the lens to achieve the desired long exposure under fairly bright conditions.
Pictured below – The Sorrento Bollards.
Above – The massive bollards are used to assist with holding the Queenscliff-Sorrento ferry in place at the pier during the exchange of passengers and cars.
After shooting the bollards, mother nature tried to grow me a rainbow. The left and right ends of the rainbow were developing nicely and gradually growing skywards then suddenly fizzled into nothingness.
Following are some images from the shores of Westernport Bay.
Pictured below – The Journey Home, seagulls at the Tooradin foreshore take off en masse as the day gives way to night.
Below – Corinella Sunset, a series of “God beams” appear from behind a cloud as the sun sets at Corinella pier. These “God beams” are also known as crepuscular rays and are explained at Wikipedia here.
Below – The Living Jetty.
At Corinella a jetty platform disappears below the surface during a king tide.
The local sea birds take advantage of the exposed posts by using them as a safe roost.
My initial plan was to stop at Grantville, visit the bakery for a mandatory steak pie and cappuccino, then take a long stroll along the beach.
The consumption of the pie and cappuccino went nicely to plan. On arrival at the beach all that had changed.
Where’s the beach gone? ………….
I had apparently arrived at the peak of a king tide. There was no sand to be seen anywhere, much less walk along.
Pictured below – looking out towards the jetty the fishermen appeared to be almost walking on water. It was unusual to see the water lapping across the platform on the lower section of the jetty.
Pictured below – A few images from along the beach, north of the jetty, taken with a Lumix LX3 camera.
It’s amazing how salt tolerant these trees can be.
Where’s my sandy beach gone?
Due to the king tide, navigating the coast required walking through low lying vegetation, and it didn’t feel right. 😦
I should check my tide charts more often.
If you’re interested in buying any of these images as prints then please contact me at – firstname.lastname@example.org
Images from a recent trip to Flinders with friends Christine Wilson and Caroline Gorka.
The objective for the afternoon was to capture some images of the old wooden pier before it’s replaced by the concrete monster that’s currently being constructed right next to it.
As usual I became distracted.
Below – “IiN” some ghostly remains from further along the beach.
Below – “Flinders Point” just around the corner from the calm harbor area there’s a lot more ocean wave activity.
There were waves crashing all over the place here but the long exposure makes it look deceptively calm.
Below – “Flinders Back-Beach” near the blow hole area. Stop giggling, that’s what it’s called !!
Following is a series of bracketed and tone-mapped long exposure images from Safety Beach, Victoria, Australia.
All were shot in the late afternoon using ND400 and ND8 filters combined to achieve the desired long exposure times.
Below – “Safety Beach Jetty”
Here’s how I do my bracketed images – Many of my waterscapes are long exposure tonemapped images generated from 3 exposures at 0,-2 and +2 EV. In order to achieve these 3 exposures I set my camera to aperture priority mode, enable auto bracketing and set the ISO as low as it will go. I then tinker with the aperture value, iso value and either add or remove ND filters in order to force the camera to achieve a shutter speed of 8 seconds for the first exposure (0 EV). Now when the shutter button is activated the camera gives me 3 exposures at 8 seconds, 2 seconds and 30 seconds (which corresponds to approximately 0,-2 and +2 EV)
When these 3 exposures are blended together (tonemapped) in an HDR program the resulting image contains the misty silky effects from the 8 and 30 second exposures and also contains some details from the slower 2 second exposure. When shooting REALLY fast moving water I usually aim for a faster initial exposure time of say 4 seconds. The camera then gives me 3 bracketed exposures at 4 seconds, 1 second and 16 seconds (0,-2 and +2 EV)
The aim is to catch some detail in the fastest exposure but also benefit from the misty effect of the longer exposures.
UPDATE – Oct 2012 – If you’re looking for an introductory guide on how to use the ND400 have a look at my other blog post here.
Below – “Seep” a stormwater drain at Safety Beach.
Yes, a drain can look beautiful. 🙂
Below – “Jettison” another stormwater drain at Safety Beach.
Amongst the photographic gems that Grantville beach makes available to photographers is a set of 3 rows of short pylons.
No doubt these pylons are the remains of an old jetty but they differentiate themselves from other such sites in a couple of interesting ways. Firstly, it’s unusual to see 3 rows of pylons like this. Most old jetties leave behind only two rows of pylons.
Secondly the pylons are extremely short here, with most of them extending from the muddy base by only a few short inches.
The short stature of these pylons provides photographers with an interesting challenge. At high tide the pylons are invisible as they’re completely submerged by water, and at low tide they’re an awful looking series of posts sitting in mud.
The challenge for the photographer is to arrive at the site during a narrow window of opportunity whilst the tidal transition ideally has all of the pylons surrounded by water around their bases and yet not enough water to make them shorten or disappear below the surface.
Below – “Runway to the Afterlife”
On my first visit to the site I was extremely lucky and caught the tide at just the right height. I wasn’t aware of how elusive these pylons could be until subsequent visits, hoping to catch the pylons in a different light, I haven’t been fortunate enough to arrive at the right time. 😦
Below – “Mortality” an image taken near the pylons on a different evening. The dark brooding sky sets the mood of the image. In the foreground lays a dead jellyfish, stranded by the outgoing tide.
Below – “Deep Creek Reflections“, also near the pylons Deep Creek enters the Westernport Bay.
On excursions where I’m near a bridge or pier, my inner troll has a tendency to take control and drag me under.
Sometimes the results are quite pleasing. Strangely enough I often find the underside to be more photographically pleasing than the top side.
Below – “Gateway” the underside of the San Remo bridge.
Below – “San Remo Bridge” the gateway to Phillip Island, Victoria, Australia.
Below – “Dromana Downunder” the underside of Dromana pier. No trolls under here!